This isn't the first time they've done a baseball-themed episode, and while they'll never top the dizzying heights reached by the crown prince Homer at the Bat, this one wasn't bad. Starting with the familial connection between Abe and his grandfather (dad? I'm not sure) was an intuitive way to start things off, while simultaneously distilling his desire to connect with his family is its best use in a long time, sticking to his character dynamics without resorting to tapping into his well-known dynamics with Homer and gimmicky tricks (we had an example of this this season with Shoddy Heat) to stand out. Of course, the episode finds its freshest point in the Moe/Grampa dynamic. Watching the two engage in a relaxed conversation where the beginning of their friendship is simply based on the fact that they share similar interests, have fun at other players, and work as a team is quite endearing, and something that would have held the episode together on its own. I like it involved when an episode makes an effort to work with the personalities of those (the beginning of the Moe/Grampa friendship which is based on a spirit of animosity towards people, even though they both share a desire to connect with other people no matter what), while acknowledging their small distinctions between them that give way to conflict. (Despite the "character gets fame to his head" cliché, I can definitely see Moe being the first to lose sight of his original goals).
Moe loses sight of his original goals because his self-esteem is so deeply damaged: feeling unworthy and unloved, any external recognition—like fame—becomes an addictive validation. When he finally receives attention or success, he desperately clings to it, forgetting his original purpose for fear of returning to obscurity. His fragile identity makes him vulnerable to being blindsided, because more than ambition, what he seeks is love. And I think this is most noticeable out of the corner of my eye when he's the one who seems most desperate (or excited, interpret it however you want) for Abe to agree to be his friend, and for that very reason I think it's easier to lose sight of the goal. For that very reason, I interpreted his abrupt change as something coherent for that very reason. Moe is "drawn in" by the most modern, dishonest, and capitalist (merely self-interested) incarnation of baseball. While Abe shares a similar quest driven by his sense of loneliness, what's interesting is how the sport is used here as a metaphor for the catalyst for his own quest, in this case his own desire to connect with someone in his family, whereas for Moe this catalyst becomes his own "cage" or indeed the beginning of his troubles, which is also a consistent theme with Moe's character regarding losing sight of his initial goals in favor of more temporary ones. In a way, there has always been an element of superficiality regarding what he wants, and that comes from a genuine place (genuine friendship) to what he thinks he wants because he's letting his own impulses get the better of him (selling out on this much more self-interested, exploitative version of the game that gave him a symbol of friendship).
I think the episode’s biggest flaw is that it gets to a point where it seems to put its characters in the background (i.e., underestimate their character dynamics) in favor of, not exactly sports commentary because that was already done with the Moe/Abe character contrast, but more direct parody and reference to the real-life scandal, which to me becomes even more apparent in the last act where satire seems to drive the characters’ side of things—like how Moe abruptly changes his mind once he sees that Bart has fallen down the gambling rabbit hole (the change itself MAKES sense, but the way it’s written here is way too underdeveloped because the conflict itself before that was about Moe/Abe’s views on sports as it sees them facing off against their modern vs. old selves, while the last act changes that part to give more emphasis to Bart’s side. It’s not mutually exclusive, but it hurts the flow of the episode when it becomes the core instead of just another part of the episode)—and Moe’s speech to the finale on the state of sports. Michael Price episodes usually stick to their social themes (The Tipping Point last season comes to mind), but in this case, I feel like the episode was biting off more than it could handle (the last act in particular is a bit too rushed given how much stuff is being introduced), part of me feels like the Bart/Grampa dynamic could have used more mileage before this final twist, which in my opinion subtracts more than it adds. You know, sometimes less is more, and I think this episode errs on the side of the latter (especially when the first two acts were sort of following a general theme. The first act in particular is a slow burn because they spent so much time establishing the Moe/Grampa friendship and the themes of the episode).
I can’t really comment much on the whole Walkov thing and what he represents (beyond the fact that I find it interesting how they established, let’s say, backstories for the three main characters in the episode and how these connected to the past), especially because I want to avoid sounding like an inept who doesn’t know the nuances necessary to understand the , but I thought it was okay. It definitely can sound strange to blame the character who inspired this story, but in this case, I see it simply as a creative decision they made regarding the plot. Sometimes it’s just a matter of being aware that the writers may have simply seen/read about the incident and thought that the subject matter is interesting enough for the show to do its own thing on it; it’s not about following everything to the letter, but sometimes they can just take something from there and adjust it to fit the characters (and in this case, I think it was a good idea that they decided to explore this part about who was guilty of that scandal through a character in the show, instead of a guest star). Speaking of which, yeah, it's definitely a step up from episodes like The Longest Marge (which I definitely didn't care for) in terms of handling its sports guest stars, and I still sort of think they manage to convey the gray areas of the issue—after all, Walkov's personality didn't fit an evil profile, so much as he's just another victim of gambling and how that world sometimes shapes itself (the ending with another team simply covering for him after Moe became the scapegoat is a good joke in that sense).
For an episode whose subject matter just wasn't appealing to me, I ended up being moderately entertained and getting a couple of decent laughs. The small family cameos did make me smile, though. Did Joel H. Cohen tout this episode as the drunkest Homer has ever been? Meh, he was worse. There were a couple of decent character moments that I feel could have been used more. Better than I thought, worse than they could have been. I feel like this is one of those episodes that had the seed of something that never quite sprouted—still pretty close. I'm satisfied enough that I got some interesting bits out of it that didn't entirely require me to be familiar with the sport (even if I did have to Google some of them to find out more, lol). Best bad episode of the season? Worst good episode of the season? I don't know. I'm not entirely sure what the final verdict is at this point, but I enjoyed it for what it was despite a few (several) complaints.
3/5.