Rate And Review: Season 32

Trab Pu Kcip

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Another season came and gone. Season 32 has seen it's fair share of good episodes and bad episodes, but it's time to see what YOU think of the season overall. Share your ratings, thoughts and general facts of the season.

EPISODES:
Undercover Burns
I, Carumbus
Now Museum, Now You Don't
Treehouse of Horror XXXI
The 7 Beer Itch
Podcast News
Three Dreams Denied
The Road to Cincinnati
Sorry Not Sorry
A Springfield Summer Christmas for Christmas
The Dad-Feelings Limited
Diary Queen
Wad Goals
Yokel Hero
Do PizzaBots Dream of Electric Guitars?
Manger Things
Uncut Femmes
Burger Kings
Panic on the Streets of Springfield
Mother and Child Reunion
The Man from G.R.A.M.P.A.
The Last Barfighter

Thread will be opened by the completion of the season.
 
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I guess I am going to inaugurate this thread because I have prepared two different analyses this time. One dedicated to Al Jean's half, and the other to Matt Selman's. I thought it would be impossible to reach any conclusion taking into account how different they were from each other in pretty much every aspect. I will start with the part of Al Jean because it was the first one to end.

SEASON 32 - AL JEAN

Treehouse of Horror XXXI
All I had to say about it was said in the pertinent Rate & Review thread, but I want to say I am glad this episode exists. Otherwise, I wouldn't have anything positive to say about this season.

Animation
The animation was rigid and static in many episodes this season. But some others had beautiful artwork, great storyboards, and amazing visuals, like Now You Museum, Now You Don't, Treehouse of Horror XXXI, Three Dreams Denied or The Man from G.R.A.M.P.A.. Even the worst episode had a visually appealing scene.

Great guest stars... Interpreting mediocre characters
How could you bring Olivia Colman and offer her the awful script to give voice to a disastrous character like Lily? How do you bring back Albert Brooks and provide him a dreadfully boring character? Why Werner Herzog's guest appearance is so boring?

It's a heavily Simpsons-centric season
An episode about Comic Book Guy is accompanied by stories of Lisa and Bart. The backstory of Hoover is overshadowed by a Lisa. The homage to Edna Krabappel turned out to be an episode about Bart and Lisa. The only character to have his own episode was Cletus... The Simpsons' universe is so rich and they don't use it.

Montages
It's an easy resource to use and they were uniformly enjoyable and effective. Some of them were decent and useful to the story. It's still sad to say they are the best part of their episodes, though.

Maggie Simpson in: the Force Awakens from Its Nap
All I had to say about it was said in the pertinent Rate & Review thread. But the lack of effort in a "special" short says everything for itself.

References to older episodes
An unnecessary rip-off of Baby On Board, a mention to Colonel Homer in an extremely worse version of it. Geez, they even made a callback to Lisa Goes Gaga. I wouldn't have problems if they were spontaneous. But these are mostly unnatural.

Pointless cameos
Leonardo Di Caprio, Meryl Streep, Mark Zuckerberg, and many other famous had inconsequential and unfunny cameos, probably just to include someone famous in the episodes. Ugh.

Recast of the non-white characters
The same as the other half of the season. It's stupid. Alex Désert was great as Carl in Undercover Burns but then he wanted to give the character a different voice and it became intolerable. It's absurd they bring back some characters just to present their new voice, too.

The 700th episode
All I had to say about it was said in the pertinent Rate & Review thread. Too bad they couldn't bright in the milestone episode, though.

Alarming lack of ideas
Another anthology episode where the characters of the show impersonate icons of the history? Another woman who tempts Homer arrives at Springfield? Lisa has a crush on another boy? Another marriage crisis story where Homer has to do one great thing? Another secret of the past of Grampa is revealed? Come on. We deserve better. If it only has something different and better than the other times...

Erroneous characterizations
It's incredible but the writers don't know who are they writing about. Is it too hard to let the characters behave as they should? Come on. Mr. Burns is evil, Maude is kind. Not vice-versa. Do they need to write it down on their hands?

Unrealism
I am completely tired to see people appearing in clouds and talking with the characters, paintings and deaths being alive, arms of a disguise with the capacity to move, a sign throwing a ray to people's eyes, or a Demogorgon eating the characters of Stranger Things. These people don't even understand what this show is about.

Cutaways
I had many times the feeling that I was watching Family Guy. This style of jokes doesn't fit in the show. Only Burger Kings had four or five cutaways. This doesn't work, man. There were also a lot of never-ending gags, also typical of Family Guy.

Incoherences
Complete episodes are utterly nonsensical. In Now Museum, Now You Don't Lisa is sick, and in the next scene, she is like normal. Lily was expulsed from the UK in The Seven-Beer Itch but she comes back at the end of the episode. Edna writes she is allergic to cats but we see her with one. I am just asking for a bit of care. Besides, important events are originated by casualties, which makes the stories less stable.

Forced jokes and unnatural dialogues
I wrote this phrase in my review of The Seven Beer Itch and since then I realized that practically every episode has this problem. Most of the dialogues aim at an easy punchline, most of the conversations include a bizarre line, most of the situations the characters are involved in are artificial.

Terrible endings
Few episodes this season had an awful start or development. But most of them had a terrible ending. So, Diego Rivera wants to direct an episode of Rick and Morty, Marge enamored Homer singing LA-LA-LA with an intolerable voice, and Marge and Lisa solved their discussion of decades with a "mom translator". This is The Simpsons now.

Fucking mentions to popular brands
How many jokes about Uber, TikTok, Netflix, Alexa, or Disney can there be in an episode? Is it a challenge to include as many as they can? These jokes bring out the worst from me when they are so shameless and vague.


In conclusion, I hated it with passion. It's by far the worst run of the series ever, and for the first time, I had the feeling they are not even trying anymore. Thank God the next year we will get less of this insipid and almost unwatchable show.

My analysis of the other half of the season and my ranking of episodes will be coming as soon as possible.
 
Despite I've usually given just dry numbers of ranks in such typed threads, this time I decided to give my generic view on last season. And don't worry, after I'll watch all the episode in my native language later this year ASAP I will give "dry numbered" analysis;)

WARRING The follow estimates I made just out of R&R reviews, my preview base, and "one eye" look on the episodes, so I CAN BE WRONG with some things, and probably later [when the season will come to Ukraine] change my mind completely

We can be sure, this season has continued the "tradition" of "even-numbered seasons are worse than odd-numbered" (thus, in advance, we can be exited already for the next season). To be fair, this is a season of disappoints:o.

Al Jean faaaaaaaaaaaaaaaaliiiiiiiing
That guy, ok, man (he's 60, anyway) just tired of trying to impress. Lack rehash stories, delivering them, lows-and-lows in quality almost every time (especially, if look on the 2nd half of season). He perhaps refuse of "let's show anything with A BIT of fun, at least, to make some remarkable moments in really sh*tfull episodes, without so frequent delivering really good episodes" principle, which he performed well since, I guess, season 28 (when the episodes creation technically became easier, and the crew can more to relax) and replace it with short "let's show any sh*t , without frequent delivering really good episodes". I guess in season 34 Jean again will cut the last part to "let's show any sh*t":D Luckily, the latter part is still in, and THERE WERE some good episodes in season 32.

Pre-emption
That annoyed:D First TH31 and following eps preempted in October in 1 day, before TH should air; then not really Valentines Day gave us "last hours weather preemption. However, because of that, there were episode against postponed Grammy on Mar 14, which... surprisingly earned spring high in ratings

Continuity/incontinuity
Seemed, in the case of lack of ideas, the best way is to redone/reshow/remention some classic show base and deliver it from the other, crazy-lazy, side. It was ODD trying to hype on past glory:ashamed:

All about Eve Matt Selman
Uhh... Hard to say, what happened (happens, to be more correct). He's still bright, fresh in ideas, has some interest, trying to "renovate" the show with new tools, namely approaches to work... but i the same time, he burns out. His point of view is often questionable, he DOESN'T CARE of continuity at all (there are still touches to old episodes in his-showrunning eps, though). Other little note: he even REFUSE of classic The Simpsons OPENING to "wide the time for the story". It didn't work in some cases:gatorshrug: . After 10 years of co-showrunning (yes, that was so long time ago), Selman is going to became a majoritarian. In any case, THAT'LL BE DIFFERENT SHOW:o

A Fat line between showrunners
I remember, just a year ago, I chaise "right words to explain to random fan, which eps. are Jean-runned, which are Selman-runned". NOW almost obvious "good, well-written detailed eps" are Selman's; "full of gags, branched story, jokes-to-face" are Jean's ones. (that rule worked in 92% this season).
Attention, that Jean-Selman border vstill isn't the same as for Bad-Good border. This season that limit was crossed by times

Revision of secondary characters
That came into both S&J episodes. In particular case, that decision was bad idea (I didn't name it, though:D). But for others, that was, damn't, good:)

Writer and Directors
Many freelance writers and many women-writers. That's usually worked.

However, on the dark side, in generic the writing was worse in quality with more annoying twists, lines, stories. Fact, that 4 episodes (3 from season 32) were nominated for WGA award, BUT none winned :-/

The biggest WINNER WRITER (IMHO, so far) Ryan Koh (under Matt Selman):gatorshock:. His only "The Dad-Feeling Limited" episode considered to be the best of season, with nice story, Award-worth. Actually, it was real surprise for us.

2nd place Dan Vebber (under Selman), effort in "The Last Barfighter"
3rd place Julia Prescott (under Jean) - freelancer, who could gave really good in a while THOH


The biggest LOSER WRITER (IMHO, so far) Rob LaZebnik (under Al Jean):ashamed:. 2 of his episodes (btw, other writing stuff has 1 episode only in QABF... well, except of Cesar Mazariegos). "Manger Things" and "Burger Kings" were really bad. And both under the same showrunner, guess who?..

2nd place Jeff Martin and Samantha Martin - "Yokel Hero", Homer/Cletus, no more comments
3rd place Al Jean and Joel H. Cohen and John Frink - there are just the writers of "The 7 Beer Itch", but that was enough


In the way of directors, the picture isn't so obvious. Just to say: Steven Dean Moore directed "Treehouse of Horror XXXI" & "Three Dreams Denied" & "Manger '700' Things"; Rob Oliver directed "I, Carumbus" & "Sorry Not Sorry" & "Yokel Hero". Should I continue? Just must note Jennifer Moeller, who, perhaps, had more "freedom in the style", and... that was idea both in Selman and Jean cases.
In generic, the animation is still (for 2 years at least) "cold", sterile, with different interesting plans, amazing and not efforts. Cool, in a word:D

The biggest WINNER DIRECTOR (IMHO, so far) Chris Clements (under Matt Selman). His usual *04 and *10 episodes were both good this time, and his effort wasn't so ambiguous as others'

2nd place Matthew Nastuk, perhaps, the best director after Rob Oliver (or instead?..)
3rd place Timothy Bailey and Michael Polcino (couldn't choose) - both did good works in their "even considered the worst" episodes, but without something amazing


The biggest LOSER WRITER (IMHO, so far) Matthew Faughnan (under Matt Selman). :o After The Way of the Dog, "Podcast News" was his blend work (however, he did try)

2nd place Steven Dean Moore - TH - great animation; 3DD - "had something..."; MT - NO:-X
3rd place Rob Oliver - after "I, Carumbus" (ZABF-holdover, under Matt Selman)
and still acceptable effort in "Sorry not Sorry", "Yokel Hero" ruined ALL[/SIZE]

Hits-and-Misses

Hits (in my view):
"I, Carumbus"
"Treehouse of Horror XXXI"
"The Dad-Feelings Limited"
"Uncut Femmes"
"The Last Barfighter"

5 (1J/4S) Last season, there were 6 (with equal J/S balance)

Misses (in my view):
"Now Museum, Now You Don't"
"The 7 Beer Itch"
"Wad Goals" (unclear aim of episode; I did watch it)
"Manger Things"

4 (3J/1S) Last season, there were also 4 (only Jean's effort)

other unmentioned episodes are in middle of quality

So, that was MY fresh eye view, wait for "dry numbers" later in year

P.S. It was hard and fun to write this post
 
It's a heavily Simpsons-centric season
An episode about Comic Book Guy is accompanied by stories of Lisa and Bart. The backstory of Hoover is overshadowed by a Lisa. The homage to Edna Krabappel turned out to be an episode about Bart and Lisa. The only character to have his own episode was Cletus... The Simpsons' universe is so rich and they don't use it.

At least there was 'The Road To Cincinnati' which was pretty much all about Skinner & Chalmers (and which is not to be forgotten). Still, I too would say there wasn't a lot of character variety this time.

As for my thoughts on this season... Oh boy, this will be an interesting lookback to compose (coming soon).
 
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Season 32 has been Al Jean's worst run on the show by a fairly significant margin and that's saying something. The first segment from Treehouse of Horror XXXI was his one unqualified success while his remaining contributed flawed (Sorry Not Sorry, Diary Queen and Panic on the Streets of Springfield) to rubbish.

Panic on the Streets of Springfield is Selman's effort (written by Tim Long)
 
At least there was 'The Road To Cincinnati' which was pretty much all about Skinner & Chalmers (and which is not to be forgotten). Still, I too would say there wasn't a lot of character variety this time.

As for my thoughts on this season... Oh boy, this will be an interesting lookback to compose (coming soon).
Oh, yeah, but those comments were only about the 12 Al Jean's episodes this year. Didn't take into account The Road to Cincinnati – I will when I watch the season finale!
 
[MENTION=75686]Szyslak100[/MENTION], I was speaking of the season in general, but it slipped my mind that you were only covering the Jean episodes at first (I guess that even only thinking of the Jean output this season brings my thoughts to the good episodes, which involves the Selman ones).
 
Forgot to note (off-topic)
[MENTION=86919]Trab Pu Kcip[/MENTION] You've done good work with "renew" such-typed R&R seasons threads: added links to R&R eps.,, image, wraparound text etc. Nice job:gatorthumbsup:
 
The splits between Jean and Selman episodes have never been starker than in this season. Nearly all of Selman’s efforts are better than Jean’s efforts, and it’s not really close. The 7 Beer Itch has a claim to being one of the worst episodes of the show, but this season had some very solid deliveries too, namely Uncut Femmes, The Last Barfighter, The Dad-feelings Limited, and Wad Goals. If what I’ve heard about season 33 is true and it will be majorly Selman-run, I look forward to seeing what it can deliver.
 
Second volume out of three of my review of the season. Coming soon the third and least interesting part with my final ranking of the season after reviewing the latest gem of the show.


SEASON 32 - MATT SELMAN

Refreshing ideas
It must be exhausting to the writers of a thirty-two-year-old show to find out something original to do. This time, they did it. The Simpsons in the ancient Roma, an episode with a reduced intervention of the Simpsons focused on Skinner and Chalmers, the first episode centered on Comic Book Guy and Kumiko since their marriage, Lisa getting an imaginary friend... There's a lot of material yet.

Variety of content
This is one of the key factors of the series. They explored many diversified territories, like podcasts, sports, or animatronics. They imitated many genres, sharing a bloody tale of the Middle Age, a "Road to" story, or a parody of Christmas' movies. There are backstories, heists, and musicals. There is an homage to Wes Anderson's Movies and a parody to John Wick's Movies. There's content to all people, and all the content is worth watching.

Great storytellings
Some episodes have different structures and that makes them more special. I, Carumbus goes to three different timelines. The Dad-Feeling Limited used its third act as an homage to Wes Anderson's movies. Do PizzaBots Dream of Electric Guitar? takes an entire act to establish the emotional attachment of Homer with the animatronics. Uncut Femmes is a heist story with fantastic back-and-forths. It's important to know how to tell a story. And Matt Selman evidently does.

Backstories and secondary characters as the protagonists
Grampa and Kent Brockman, Skinner and Chalmers, Comic Book Guy and Kumiko, Sarah Wiggum and Lindsey Neagle, Moe got development and great stories. But the use of the universe was great in small doses as well, like Ralph in Wad Goals, Fat Tony in Uncut Femmes, or Bumblebee Man in The Last Barfighter.

Sharp satires
Some of the keenest satires of the show in recent memory came out this season. An insightful sight of podcasts, scornful commentaries on Christmas movies, a ruthless satire on religions and gold players, and a ground-breaking episode based on Morrissey. I love that the show is recovering this facet.

Continuity
It feels so gratifying for me to be attentive to easter eggs, to pause the episode to see who is in the background, to look for references to older episodes. I am talking about little details like the astronauts from Exploration Incorporated who appeared in Podcast News or the running background gag of Otto and Julio hanging out. They make each episode way more interesting and fascinating for a freaky fan like me.

Humor
It's certainly above-average for modern Simpsons. No, you won't find a gag-fest here. But these episodes have the dose of humor I expect and want in The Simpsons. Maybe there aren't too many, but almost all of the land. Podcast News and Wad Goals are really funny episodes with a high ratio of jokes.

Music and animation
Animation is a recurrent highlight for me in the later seasons. Every episode this season has top-notch animation, especially I, Carumbus led by Rob Oliver. Music, however, was quite special this season. Some episodes have their own music and this especially worked in A Springfield Summer Christmas for Christmas. Besides, "Everyone Is Horrid Except Me (And Possibly You)" is one of the greatest songs of the HD era.

Characterizations of the Simpsons family
Despite some minor issues I had with the behavior of a few characters in determined episodes (Homer and Marge in The Dad-Feeling Limited is the worst example), I think the members of the family acted always accordingly to the expected and have found some consistency throughout the season. I particularly love it when Bart and Lisa are portrayed as kids.

Live-tweets
It's amazing to know fun facts about every episode. As an obsessive fan, I appreciate knowing every minor detail, every discarded plot, every thought that they had while producing the episodes. The problem? I discovered Matt Selman deletes his tweets some days after tweeting them for some reason. Hopefully, they are archived somewhere.

Finally, a reasonable amount of episodes
It's been a long agony seeing the talented showrunner being limited to three or four episodes by year for so many seasons. Matt Selman proved definitely that the high quality was not a consequence of producing fewer episodes, but of being more compromised and dedicated to the show. Thankfully, the next season we are going to be blessed with even more.

The performance of the worst writers of the staff
I can't believe that Jeff Westbrook has finally written a truly great episode nor that Ryan Koh pitched one of the best episodes of the season. Michael Price (not one of my least favorites) and Tim Long did decent outputs too. And three first-time writers fulfilled in their debuts.

Guest stars and one-time characrers
Mary Tannenbaum, Mr. Bildorf, J.J. Abrams, Quilloughby. Characters with prominence in their respective episodes but quite forgettable nevertheless. They were good as the protagonists (or co-protagonists, or antagonists) and serviceable to the stories but not-so-memorable. Many cameos were pointless as well, being Yeardley Smith as herself the most remarkable.

Cartoonish moments
Not necessarily something negative because it was used in small doses. But many elements of The Road to Cincinatti were quite wacky, and both plots of Panic of the Street of Springfield were weird as well. The results were relatively good so I am not complaining, but it's a dangerous trend.

Canonicity
Do PizzaBots Dream of Electric Guitar? was a polemic episode because it rewrites the story of Homer. I don't mind the characters have a new past if it respects the basic stuff established in other episodes. And this case respected it. But I think it's unnecessary to date it in the 90s only to provoke the audience and generate some debate. I will give it the benefit of the doubt because I believe it rebooted the character. After all, the episode is about reboots.

No more intros
I am fine with the removal of opening intros to use extra time for the episode. It helps, it's useful. But I don't want them to be permanently removed either. Selman should use them every now and then to keep it alive if he keeps running more episodes each year.

Ratings
It's sad for me that most people won't give a chance to this renovated show. The ratings are lower than ever, there is a lot of undeserved criticism on the net, and neither industry reviews nor IMDb appreciate this show anymore.

Recast of non-white characters
If the recast were because of force majeure, I wouldn't be complaining. But it's stupid for me to listen to an off Dr. Hibbert just to be politically correct. Jenny Yokobori was great as Kumiko, but I refuse to accept a different product just because of a whim.


Pardon me if you think that classic Simpsons are incomparable with modern Simpsons. But for me, this run achieved consistency and level worthy of the best years of the series. It's brilliant. I love it and I have rewatched most of the episodes quite a few times already. I hope we get more like this in the next season.
 
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I think the low ratings are as inevitable as they are unavoidable. While many of us can separate the season into the Al Jean half and a Matt Selman half as well as keep up at least some degree of posivity, the larger amounts of viewers see it as a whole package of lackluster stuff (and yet again overlooks the good and discards it in the trash, not even giving it much of a chance, maybe being so jaded by HD 'Simpsons' they might even drop the better Selman episodes due to a lack of care overall). I'd also give some blame of the bad Jean stuff overshadowing the positives. but still, the life of modern 'Simpsons' seem to be one of low ratings & uncaring reviews at this point.
 
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CONSENSUS EPISODE RANKINGS FOR SEASON 32 (as of right this second)
- ranked by NHC R&R thread score / secondary score is from IMDB
- Selman-run efforts are highlighted in blue

1) The Last Barfighter - 4.50 / 7.8

2) The Dad-Feelings Limited - 4.16 / 6.9
3) Treehouse of Horror XXXI - 4.05 / 5.9
4) Uncut Femmes - 3.91 / 6.4
5) I, Carumbus - 3.86 / 6.7

6) Podcast News - 3.70 / 6.8
7) Wad Goals - 3.60 / 6.2
8) The Road to Cincinnati - 3.50 / 6.6

9) Undercover Burns - 3.19 / 6.5
10) Panic on the Streets of Springfield - 3.00 / 6.2

11) The Man from G.R.A.M.P.A. - 2.81 / 6.4
12) Do PizzaBots Dream of Electric Guitars? - 2.80 / 5.9
13) Diary Queen - 2.79 / 6.9
14) A Springfield Summer Christmas for Christmas - 2.68 / 6.1
15) Sorry Not Sorry - 2.64 / 6.1

16) Mother and Child Reunion - 2.35 / 7.0
17) Burger Kings - 2.18 / 6.7

Maggie Simpson in: "The Force Awakens from Its Nap" - 2.00 / 6.2
18) Three Dreams Denied - 1.94 / 6.2
19) Manger Things - 1.84 / 6.4
20) Now Museum, Now You Don't - 1.82 / 5.6
21) Yokel Hero - 1.68 / 5.5

22) The 7 Beer Itch - 1.27 / 5.6

NHC = Selman - 3.57 / Jean - 2.35
IMDB = Selman - 6.6 / Jean - 6.2
 
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[MENTION=86481]HomerFan1998[/MENTION] This is for review only; not sure why you keep putting unnecessary comments.
 
NHC = Selman - 3.57 / Jean - 2.36
IMDB = Selman - 6.6 / Jean - 6.2

As someone who isn't American and hasn't watched any episode from this season, do these statistics imply that the "Selman-mania" (the idea of Selman being a very good showrunner, much better than Al Jean) I keep hearing about here doesn't practically exist outside of this website?

EDIT: If some mod considers this post is derailing the thread or can derail it, you can delete it, no problems here.
 
[MENTION=88165]Wire hangers[/MENTION] I can't affirm what I will say but I guess I have seen a pattern on the internet (and this own forum particularly as well) that while more regularly you watch Modern Simpsons and more interested are you in the show is more likely for you to notice a difference, and you probably won't if you are simply a casual watcher or someone who already watches The Simpsons with contempt.

Outside the forum, Phil Payton has 5 episodes of Matt Selman in his TOP5 and 5 of Al Jean in his Bottom5 and Max Power, a Colombian Youtuber I have mentioned a few times here, generally have a better reception to Matt Selman's episodes (even if he said he hates him and even if his least favorite episode this season is A Springfield Summer Christmas for Christmas)
 
While devout Simpsons enthusiasts will be able to both clearly spot and pick out the quality and attention to detail differences between a Jean episode and a Selman episode more readily than casual fans, I will say that even the casual crowd at IMDB that aren't even aware that the show has two showrunners will tend to rate Selman episodes higher than Jean's on average. Just not to the extremes that we do. And that trend should hold for just about every season from 23 until now.
 
[MENTION=24053]Brad Lascelle[/MENTION] Have you considered to you expose your personal thoughts of the season in the near future? It would be a treat to read an insightful post from you about it.
 
[MENTION=88165]Wire hangers[/MENTION] I can't affirm what I will say but I guess I have seen a pattern on the internet (and this own forum particularly as well) that while more regularly you watch Modern Simpsons and more interested are you in the show is more likely for you to notice a difference, and you probably won't if you are simply a casual watcher or someone who already watches The Simpsons with contempt.

Outside the forum, Phil Payton has 5 episodes of Matt Selman in his TOP5 and 5 of Al Jean in his Bottom5 and Max Power, a Colombian Youtuber I have mentioned a few times here, generally have a better reception to Matt Selman's episodes (even if he said he hates him and even if his least favorite episode this season is A Springfield Summer Christmas for Christmas)

I have an upcoming video of the Simpsons worst and best too and I will tell you, I am exactly like Phil.
 
With almost a week having passed since the season ended, I have reflected some more on it and feel it is time to speak up on it as a whole with a lookback.

Season 32 was really not one of the best HD seasons, but rather one of the weaker ones overall. I would describe it as a rollercoaster of extremes (having some fairly good highs and pretty low lows & some very uneven middling material as well), coming off as either a real mess or if not outright lackluster a lot of the time. I was surprised I didn't find so many straight up middling episodes, but rather a big mix of good, weak and bad with not a lot of just nicely decent ones. Every now and then they tried to do something new and interesting with the premises and characters & while some worked, others didn't end up reaching their full potential or just fell flat (and there were certainly unoriginal elements and weak ideas).

While the season was one of extremes with being half disappointment and half pretty good (with some middling episodes sprinkled in between the two as said), it did have a lot of good ideas and concepts that were interesting to see, even if the end result didn't quite work out (much like the previous season). I was let down a lot (with some of the stories having really good premises but in the end not work out so well), but with some of the meh-ish episodes still liked the story of them. Even so, I can't escape the feel that the lesser, lackluster stuff did pull me out of the season a lot of the time (as it felt so hopeless and at worst soulless) and that disappointed me more than many of the previous seasons ever did.

The good was pretty decently good with some interesting and nice stuff, including some surprises and experiments. There were some that stood out such as 'I, Carumbus', 'Treehouse Of Horror XXXI', 'Podcast News', 'The Dad-Feelings Limited', 'Uncut Femmes' & 'The Road To Cincinnati' (the latter three heavily centered around secondaries) and 'Wad Goals' (one of the strongest Simpsons-centric story this time around). The season also ended strongly with 'The Last Barfighter (another secondary character-centric story & the second great finale in a row, after season 31's 'The Way Of The Dog'). I think the material with the secondary characters was some of the most interesting, even when it didn't completely work to me (such as in the case of 'Sorry Not Sorry', the prominent Ms. Hoover episode).

There was also the less good and the outright bad and wow, did this season drop the ball a lot. There was the anthology failure 'Now Museum, Now You Don't' (the opposite to 'I, Carumbus') and then the season every now and then slid downhill a little with episodes like 'Three Dreams Denied', 'Manger Things' & 'Mother And Child Reunion' (which understandably has fans, but it just didn't work to me) and way worse with 'Yokel Hero', 'Burger Kings' & of course 'The 7 Beer Itch' (which is one of the worst they ever did. I am still shocked at how badly they bungled it). All of the really bad were Jean episodes and that shows that his material really stumbled this season, in some cases extremely so.

Some of the just OK episode (more or less messy and/or dull) were interesting and entertaining, such as 'A Springfield Summer Christmas For Christmas', 'Do PizzaBots Dream Of Electric Guitars?', 'Panic On The Streets Of Springfield', 'The Man From G.R.A.M.P.A' & the surprisingly decent season opener 'Undercover Burns'. They did fall short compared to the abeformentioned standout episodes, but they were not all too bad and had their moments. However, compared to the middling episodes of season 31, I felt these middling episodes weren't as good as those of that season, with some of these tethering on well below average and being of very questionably and really shaky, uneven quality).

Grading-wise, this was another real mixed bag, albeit more in the negative sense this time. There are a number of 4/5s (both good and just above average but rounded up) and a bunch of 3/5s, but also surprisingly many 2/5s and most of all also a number of 1/5s. I see I rated eight 4/5, seven 3/5, three 2/5 & four 1/5, which really spells out how much of a rollercoaster ride of ups and downs this season was, even compared to the last season. Slightly over a third of the season I found above average to good and the rest varied from mediocre/OK to bad (I rarely give out 1/5s and this small amount of four was bigger than expected and that alone makes this season worse than the previous one, which didn't have so many outright awful episodes and certainly nothing disastrous aside from maybe one or two pretty bad episodes).

In short, a very disappointing and many times pretty dire season, being fairly lackluster overall, but still with the usual nice surprises and gems (even though those were often not as good or great as those in the previous season). Of the three most recent seasons, it is the worst one by a long shot (in part due to not only the bad episodes that often were quite terrible, but also due to how the more average episodes were weaker in general), but as bad as it really could get at times (and I again mean surprisingly bad, messy, incoherent and unfunny), but it did leave me with a fair bit of hope that the next season will pick up after the pretty noticeable and severe failings of this one so I'm not as doom and gloom as some are (and as Selman will seemingly showrun more the next season, I think it is possible things will get better).

Speaking of the showrunners, I won't really go into the Jean half vs. the Selman half discussion so much, but I'll just say that this season proved how bad Jean really can get as showrunner at this point; I don't think Selman can "fix" the show as he's not infallible either, but at this point, I think he can improve it with his brand of consistency and focused storytelling. Finally, like many have already said, I do think the most of the Jean outings this season really dragged it down and it was painful and pathetic to see the worst impulses of the HD era, making me understand the hate towards modern HD 'Simpsons' much better, with garbage like '7 Beer Snitch' almost legitimizing it).

Top episodes: 'The Last Barfighter', 'I, Carumbus, 'Wad Goals', 'The Dad-Feelings Limited', 'Uncut Femmes' & 'The Road To Cincinnati'
Bottom episodes: 'The 7 Beer Snitch', 'Burger Kings', 'Yokel Hero', 'Now Museum, Now You Don't', 'Three Dreams Denied' & 'Manger Things'
 
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Ranked, best to worst:

The Dad-Feelings Limited
The Last Barfighter
Panic on the Streets of Springfield
Podcast News
Burger Kings
Uncut Femmes
Treehouse of Horror XXXI
The Road to Cincinnati

Diary Queen
Wad Goals
Do PizzaBots Dream of Electric Guitars?
I, Carumbus
Undercover Burns
A Springfield Summer Christmas for Christmas
Sorry Not Sorry

Manger Things
Mother and Child Reunion
Three Dreams Denied
Yokel Hero

The Man from G.R.A.M.P.A.
Now Museum, Now You Don't
The 7 Beer Itch
 
Top episodes: 'The Last Barfighter', 'I, Carumbus, 'Wad Goals', 'The Dad-Feelings Limited', 'Uncut Femmes' & 'The Road To Cincinnati'
Bottom episodes: 'The 7 Beer Snitch', 'Burger Kings', 'Yokel Hero', 'Now Museum, Now You Don't', 'Three Dreams Denied' & 'Manger Things'

We share the same bottom 5 LOL, except Now Museum isn't on my list at all because only 5 episodes made it.
 
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